Hyundai has launched a campaign for IONIQ, a range of all-electric vehicles to innovate how Australians move into the new electric era, via Innocean Australia.
Innocean Australia partnered with Scoundrel director James Dive to develop a new visual aesthetic – with LED light bars powered purely by the IONIQ’s ‘Vehicle to Load’ capacity.
These LED bars were strapped to the sides of the vehicles for the TV commercial. Every time the cars move forward, a customized light trail is left behind.
Each IONIQ’s ‘light path’ was inspired by each model, choreographed to move in sync to a Stalking Gia cover of the song Tomorrow from the musical Annie.
The technique was all captured in-camera using a method developed by Scoundrel and FIN Design + Effects that utilises all the latest aspects of long exposure filmmaking, while still allowing the creative team to push and finesse elements in a way that would not normally be able to be done with a regular long exposure capture. And all without the need for CGI.
Jenny Gulliver, Hyundai director of marketing, said “And the EV category is no different, with brands reflecting a cold, tech-focussed world that lacks humanity. Therefore, to differentiate ourselves, we needed to position IONIQ as an EV brand that brings optimism to the EV category.
“Emerging tech can now allow light trails to be whatever you can dream of. The principles are still the same, but these light patterns no longer require you to wave a torch about in the dark,” added Dive.
“Instead, a singular length of LEDs can now be pre-programmed with an image. The LED length then steps through the image one line at a time using a depth of 210 pixels on each side of the car. As the object moves, the programmed pattern is painted one line at a time.”
Hyundai Motor Company Australia
Jennifer Gulliver – Director of Marketing
Alex Pinsuti – Head of Market & Brand Product
Emily Melinz – Brand Specialist
YouRhee Sung – Brand and Product Marketing Coordinator
Wez Hawes – Executive Creative Director
Dave Varney – Creative Director
Damon Porter – Creative Director
Georgie Parchet – Copywriter
Lachlan Rotherham – Art Director
Michael Macgregor – Design Lead
Renata Barbosa – Head Of Production
Dave Anlezark – Content Editor
Vincent Pled – Senior Account Director
Chiara Marotta – Account Director
Michelle Livni – Account Director
Adam Hosfal – Managing Partner
Jasmin Bedir – CEO
Gual Barwell – Chief Strategy Officer
Lucas Black-Dendle – Strategy Director
Production Company: Scoundrel
James Dive – Director
Adrian Shapiro – Executive Producer
Morgan Benson-Taylor – Producer/ Associate Executive Producer
Shelley Farthing-Dawe – DOP
Eat the Elephant – Lighting Tech
Beth Ryan – Production Designer
Adam Wills – Offline Editor
Cream – High-end Retouching & CGI
Pieter Owen – Senior Retoucher
Lee Turner – Senior Retoucher
Rozanna Bigeni – Creative Producer
Wellcom Creative Production
Jake Condon – Integrated Producer
Kim Garraway – Integrated Producer
FIN Design + Effects – VFX
Jesse Meha and Stephanie Pocklington – VFX supervisors
Emily Newbould – VFX Producer
Alastair Stephen – Head of VFX / Executive Producer
Fergus Rotherham – Colourist
Tone Aston – Lead Sound Designer
Sean Wilkinson, Cam Milne – Sound Designers
Michael Gie – Sound Executive Producer
Level Two Music – Music Supervision
Stalking Gia ‘Tomorrow’